
A calm three-frame row
Three matching 50 × 70 cm black frames create a stronger focal point.
176 cm wide
Inspiration library
Explore every published arrangement in one place. Filter by room, composition and frame count, then use the closest match as an editable starting point.
Inspiration library

Three matching 50 × 70 cm black frames create a stronger focal point.
176 cm wide

Five landscape and portrait frames nicely aligned horizontally. This is the widest arrangement and visually follows the width of the sofa.
194 cm wide

Two rows of three oak frames make for a compact, architectural grid. It suits artwork with a shared palette, but you can just as well go all out and mix it up.
108 cm wide

Nine mixed catalog frames create the richest composition. We've gone for an eclectic collection of frames. You can really let your creativity go with this one: move the frames around, add other sizes and types, go for a mix of different styles of paintings and photos.
189 cm wide

Two matching 50 × 70 cm oak frames create a generous, balanced focal point above the headboard.
112 cm wide

Four white 50 × 50 cm frames form a substantial square that feels ordered and properly scaled to the bed.
112 cm wide

A central 50 × 70 cm frame and four 30 × 40 cm companions create a generous layered arrangement.
132 cm wide

Two rows of three oak frames fill more of the wall while keeping a calm architectural rhythm.
108 cm wide

Eight frames in mixed sizes, materials and colours form a looser, collected composition with deliberate asymmetry.
161 cm wide

Three matching black 50 × 70 cm frames follow the length of the hallway and create a clear, unhurried rhythm.
180 cm wide

Four white 50 × 50 cm frames form a strong square focal point without making the passage feel visually busy.
112 cm wide

Five black frames in portrait and landscape formats create movement while keeping one consistent horizontal rhythm.
194 cm wide

Two rows of three 40 × 50 cm oak frames bring stronger scale to the long wall and work especially well with a connected art series.
141 cm wide

Eight real catalog frames mix sizes, finishes and orientations for a collected look that still fits the narrow passage.
161 cm wide

Seven mixed RÖDALM frames bend around a generous centre, pairing black, white and warm wood finishes with the clay-coloured wall.
192 cm wide

Nine RÖDALM and three natural-pine HÄCKHAGTORN frames, all 21 × 30 cm, rise and dip in two loose waves across the sage wall.
228 cm wide

Three matching black 50 × 70 cm frames turn the rise of the stairs into a calm, legible rhythm.
212 cm wide

Four white 50 × 50 cm frames step upward at an even pace, giving the wall structure without making it feel formal.
232 cm wide

Five black frames from 30 × 40 to 50 × 70 cm vary in scale while holding onto the same rising line.
267 cm wide

Six matching 40 × 50 cm oak frames form three stepped pairs: orderly up close, but lively from the hall below.
194 cm wide

Eight catalog frames mix square, portrait and landscape formats with black, white, oak, gold, natural and silver finishes.
292 cm wide

Four deliberately mismatched frames gather into an offset cluster, leaving the floating oak treads and the rich blue wall plenty of space.
147 cm wide

Nine varied frames spread across two loose tiers above the walnut treads, with smaller pieces extending the composition towards the lower right.
282 cm wide

Three 50 × 70 cm HALBE Classic Alu 8 frames create a museum-like row, with 50 and 70 mm mats softening the contrast between black, silver and pale artwork.
171 cm wide

A walnut centre frame is surrounded by maple, oak and aluminium companions, while mat widths from 20 to 80 mm keep the five-part arrangement lively but balanced.
116 cm wide

Six matching 30 × 40 cm HALBE Classic Holz 20 frames form a precise grid, but alternating 25 to 80 mm mats give every artwork its own visual tempo.
109 cm wide

Walnut, oak, maple, silver, white and black HALBE frames orbit one generous centrepiece, with artwork openings ranging from nearly full bleed to a deep 80 mm mat.
165 cm wide

Two mat-free maple Classic Holz 10 frames anchor the upper row, while silver, black and white aluminium pieces step between portrait and landscape positions for a lighter asymmetrical composition.
165 cm wide

Nine HALBE frames step across two loose levels, combining narrow aluminium profiles, warmer wood rails and custom mats from 0 to 90 mm for the most expressive design here.
181 cm wide

Three Nielsen Accent and Classic frames sit within the room's carved red wall panel, using gold, black and mats from 20 to 90 mm for a compact, theatrical gallery.
152 cm wide

Red, silver, black and gold Nielsen C2 frames move across the wall in an offset rhythm. Four different formats and mats from 0 to 60 mm keep it bright without becoming busy.
159 cm wide

A large natural-oak Quadrum anchors four smaller maple, wenge, grey and white frames, creating a loose crown that follows the width of the headboard.
211 cm wide
Two large portraits hold the centre while four smaller gold, red and silver frames orbit the outside. Alternating scale makes this arrangement feel open rather than grid-like.
137 cm wide

Nielsen Classic and C2 frames step across two levels in silver, black, walnut and muted gold. Portrait and landscape formats create the irregular roofline.
298 cm wide

Twelve compact Nielsen Alpha frames form two staggered bands. Black and silver gradually give way to oak, wenge and amber, while mats vary from 0 to 60 mm.
196 cm wide

Ten 40 cm boxes of white moulding run 2 m wide above the bench and echo the skirting. Six black 25 × 25 cm SANNAHED frames fill the middle boxes, and the empty boxes at each end keep the grid calm.
107 cm wide

Thirty 4 cm walnut slats rise from the sideboard top in a 120 cm column that stops just short of the plant. Two white 40 × 50 cm RÖDALM frames, 6 cm apart, glow against the dark wood.
90 cm wide

Nineteen black battens at an 8.8 cm pitch let the warm white wall show through. Three HALBE Classic Holz 16 frames in natural oak bridge several battens and keep the stripes calm.
110 cm wide

Thirty 5 cm oak slats on pale felt form a 150 cm field centred on the headboard. Two black 40 × 50 cm RÖDALM frames sit 12 cm apart in its upper half.
96 cm wide

Fifteen oak battens, 132 cm in all, line up with the bench and stop just above the cushion. Four black 30 × 40 cm RÖDALM frames form a tight square grid with 6 cm gaps across the middle battens.
70 cm wide

Sixty 3 cm flutes in soft sage stop at the sofa back and leave the sideboard on plain wall. Three oak Nielsen Alpha frames with 45 mm mats add warmth without breaking the texture.
107 cm wide

Fifty-three smoked oak slats run from the ceiling down to the skirting behind the bed and stop short of both lamps. A row of four white 30 × 40 cm RÖDALM frames, 5 cm apart, brightens the darkest part of the wall.
143 cm wide

A 196 cm field of walnut slats runs from the ceiling to the floor, warms up a cool concrete wall and lines up with the arms of the sofa. Two black 50 × 70 cm RÖDALM frames, 8 cm apart, keep the composition large and simple.
112 cm wide

Thirty-five black slats make a 140 cm column from the ceiling to the skirting, exactly as wide as the bench, with the olive tree left on plain plaster. Three oak-effect 30 × 40 cm RÖDALM frames pick up the warmth of the wall.
108 cm wide

Thirty-eight black slats run from the floor behind the headboard up to the ceiling, at exactly the width of the bed. Two gold 50 × 70 cm LOMVIKEN frames, 6 cm apart, turn a white bedroom into something more like a boutique hotel.
109 cm wide

Twelve white battens at an 8.8 cm pitch run down to the skirting and let the sage paint show between them, like a fresh take on panelling. Two oak-effect 30 × 40 cm RÖDALM frames sit across the middle battens above the bench.
70 cm wide

Forty-two oak slats on pale felt run down to the skirting and stop at the sofa arm, so the guitar keeps its own patch of plain wall. Three black 30 × 40 cm RÖDALM frames with 5 cm gaps give the soft Scandinavian slats a crisp outline.
106 cm wide

Five RÖDALM frames move from a small 13 × 18 cm accent to a 40 × 50 cm anchor. Black, white and oak-effect finishes vary the emphasis without breaking the family resemblance.
147 cm wide

Six 30 × 40 cm FISKBO frames use exactly the same footprint and spacing. Black, white, grey-green and grey-blue rails add rhythm while the two-row grid stays calm.
113 cm wide

A gold 50 × 70 cm LOMVIKEN creates the focal point above the bed. Smaller square, portrait and landscape formats in black, white and gold make the arrangement feel wider without competing with the anchor.
152 cm wide

One pine HÄCKHAGTORN anchors paired dark oak-effect KLOTKÖRSBÄR and oak-effect RÖDALM frames. Repeating two of the three models makes the mixed profiles feel deliberate.
126 cm wide

Twelve frames using eight distinct models form three structured tiers around the wall light. Four small cap frames flank the fixture, while two aligned rows create the calmer body below.
205 cm wide

Nine black and white KNOPPÄNG frames use six formats from 13 × 18 to 61 × 91 cm. Tight gaps and aligned edges create three rising bands instead of a sparse single-file diagonal.
261 cm wide